How to photograph Assembly Supervisor

This is the ultimate guide on how to photograph professionals and Assembly Supervisor. As always, when taking pictures of people there are things to think about and below you will also find both camera and lens recommendations.

When trying to capture certain professionals you want the picture and the surroundings to say something, showing the audience that this is a Assembly Supervisor and not something completely different. Perhaps the Assembly Supervisor has an enviroment that you can clearly connect to their profession. A baker has his bakery, a pilot his cockpit and so on.

A professional portrait does not have to be a direct portrait, and if you are photographing the Assembly Supervisor - just let him or her work as usual and you will try to capture them in their everyday life as Assembly Supervisor? Of course, you can combine the editorial pictures with more portrait like pictures to get a complete coverage of the Assembly Supervisor.

When taking editorial pictures it is really nice to have either a wide angle (such as 14-24 or 16-35mm) or a standard zoom lens (24-70mm etc). That will give you a lot of coverage in most situations and enviroments.

Moving on to the portraits it is really nice to use lenses with a maximum aperture value around f/1.2, f/1.4, f/1.8 or f/2. When using lenses like this you can really make the eyes or details to pop out and be sharp and crisp while the rest of the image can be a bit blurry. And this can both be standard prime lenses (as 35mm/f1.4, 50mm/f1.8 etc) as well as telephoto prime lenses (such as 85/f1.8, 105/f2.8 etc).

And remember, it is always worth getting a bit uncomfortable in order to get the best picture of the Assembly Supervisor. Ask the Assembly Supervisor if you can join them for a working day, no matter where and in what surroundings. Dare to get a bit dirty and your clients will definately appreciate the effort afterwards.

Best cameras for photographing Assembly Supervisor

Perhaps you already have a camera but here are some popular camera alternatives that might be suitable for photographing professionals and Assembly Supervisor.

Nikon Z9 Nikon Z9
Lenses | Compatibility |  Specs | Compare
Released: 2021
Type: Mirrorless
Sensor: Full frame


Canon EOS 750D Canon EOS 750D
Lenses | Compatibility |  Specs | Compare
Released: 2015
Type: DSLR
Sensor: APS-C (1.6x)


Fujifilm X-S10 Fujifilm X-S10
Lenses | Compatibility |  Specs | Compare
Released: 2020
Type: Mirrorless
Sensor: APS-C (1.5x)


Fujifilm X-T30 II Fujifilm X-T30 II
Lenses | Compatibility |  Specs | Compare
Released: 2021
Type: Mirrorless
Sensor: APS-C (1.5x)


Nikon D6 Nikon D6
Lenses | Compatibility |  Specs | Compare
Released: 2020
Type: DSLR
Sensor: Full frame


Best lenses for photographing Assembly Supervisor

Here are some popular lenses that might suit your needs when photographing professionals and Assembly Supervisor. You can also view all of our lenses or start by selecting your camera and then see which lenses that are compatible.

Nikon AF-S 85mm F1.8 G Nikon AF-S 85mm F1.8 G
Review  |  Compatibility  |  Specs  |  Compare
Released: 2012
Telephoto Lens, no zoom (prime)
Aperture: f/1,8
Focal Length: 85 mm


Nikon AF-S 35mm F1.4 G Nikon AF-S 35mm F1.4 G
Review  |  Compatibility  |  Specs  |  Compare
Released: 2010
Wide Angle Lens, no zoom (prime)
Aperture: f/1,4
Focal Length: 35 mm


Fujifilm XF 35mm F1.4 R Fujifilm XF 35mm F1.4 R
Review  |  Compatibility  |  Specs  |  Compare
Released: 2012
Normal Lens, no zoom (prime)
Aperture: f/1,4
Focal Length: 35 mm


Sony FE 55mm F1.8 ZA Carl Zeiss Sonnar T Sony FE 55mm F1.8 ZA Carl Zeiss Sonnar T
Review  |  Compatibility  |  Specs  |  Compare
Released: 2013
Normal Lens, no zoom (prime)
Aperture: f/1,8
Focal Length: 55 mm


Nikon Z DX 24mm F1.7 Nikon Z DX 24mm F1.7
Review  |  Compatibility  |  Specs  |  Compare
Released: 2023

Aperture: f/1,7
Focal Length: 24 mm


Images of other professionals

Here are a few images of professionals that might inspire you. Perhaps these can give you ideas on how to best photograph your Assembly Supervisor? Click on the image you want to know more about. Each image has information with which camera and lens they were shot and with which settings.

Female Fire Fighter with red nail polish See camera and lens details
1/2000s  52mm  f/5,6

Computer specialist at his repair studio See camera and lens details
1/160s  105mm  f/9

Pastor is reading the Bible See camera and lens details
1/400s  238mm  f/6,3

Architects are reviewing their project See camera and lens details
1/250s  24mm  f/2,8

A trader at a desk with three monitors and a laptop See camera and lens details
1/80s  35mm  f/4

Airline Pilot is approaching New York in his simulator See camera and lens details
1/60s  26mm  f/3,5

Tattoo Artist is working in his studio See camera and lens details
1/125s  50mm  f/2,8

Painter is painting outside a store See camera and lens details
1/250s  50mm  f/7,1

Carpenter is using a grinder to cut some metal See camera and lens details
1/100s  20mm  f/5,6

A female model and brunette with curly hair See camera and lens details
1/80s  85mm  f/5,6

Soldier is hiding behind some rubble See camera and lens details
1/1000s  85mm  f/2,8

Computer Specialist is inserting a new graphic card into his computer See camera and lens details
1/100s  50mm  f/4,5

An asian teacher is educating her students in the forest See camera and lens details
1/200s  150mm  f/4,5

Dough and flour on table See camera and lens details
1/50s  50mm  f/3,5

Portrait of a female CEO See camera and lens details
1/160s  105mm  f/9