How to photograph Category Acquisition Director

This is the ultimate guide on how to photograph professionals and Category Acquisition Director. As always, when taking pictures of people there are things to think about and below you will also find both camera and lens recommendations.

When trying to capture certain professionals you want the picture and the surroundings to say something, showing the audience that this is a Category Acquisition Director and not something completely different. Perhaps the Category Acquisition Director has an enviroment that you can clearly connect to their profession. A baker has his bakery, a pilot his cockpit and so on.

A professional portrait does not have to be a direct portrait, and if you are photographing the Category Acquisition Director - just let him or her work as usual and you will try to capture them in their everyday life as Category Acquisition Director? Of course, you can combine the editorial pictures with more portrait like pictures to get a complete coverage of the Category Acquisition Director.

When taking editorial pictures it is really nice to have either a wide angle (such as 14-24 or 16-35mm) or a standard zoom lens (24-70mm etc). That will give you a lot of coverage in most situations and enviroments.

Moving on to the portraits it is really nice to use lenses with a maximum aperture value around f/1.2, f/1.4, f/1.8 or f/2. When using lenses like this you can really make the eyes or details to pop out and be sharp and crisp while the rest of the image can be a bit blurry. And this can both be standard prime lenses (as 35mm/f1.4, 50mm/f1.8 etc) as well as telephoto prime lenses (such as 85/f1.8, 105/f2.8 etc).

And remember, it is always worth getting a bit uncomfortable in order to get the best picture of the Category Acquisition Director. Ask the Category Acquisition Director if you can join them for a working day, no matter where and in what surroundings. Dare to get a bit dirty and your clients will definately appreciate the effort afterwards.

Best cameras for photographing Category Acquisition Director

Perhaps you already have a camera but here are some popular camera alternatives that might be suitable for photographing professionals and Category Acquisition Director.

Canon EOS 1D X Mark II Canon EOS 1D X Mark II
Lenses | Compatibility |  Specs | Compare
Released: 2016
Type: DSLR
Sensor: Full frame


Canon EOS Rebel T7i Canon EOS Rebel T7i
Lenses | Compatibility |  Specs | Compare
Released: 2017
Type: DSLR
Sensor: APS-C (1.6x)


Canon EOS R10 Canon EOS R10
Lenses | Compatibility |  Specs | Compare
Released: 2022
Type: Mirrorless
Sensor: APS-C (1.6x)


Sony Alpha a7R V Sony Alpha a7R V
Lenses | Compatibility |  Specs | Compare
Released: 2022
Type: Mirrorless
Sensor: Full frame


Nikon Z6 II Nikon Z6 II
Lenses | Compatibility |  Specs | Compare
Released: 2020
Type: Mirrorless
Sensor: Full frame


Best lenses for photographing Category Acquisition Director

Here are some popular lenses that might suit your needs when photographing professionals and Category Acquisition Director. You can also view all of our lenses or start by selecting your camera and then see which lenses that are compatible.

Nikon AF-S 35mm F1.4 G Nikon AF-S 35mm F1.4 G
Review  |  Compatibility  |  Specs  |  Compare
Released: 2010
Wide Angle Lens, no zoom (prime)
Aperture: f/1,4
Focal Length: 35 mm


Nikon AF-S 50mm F1.4 G Nikon AF-S 50mm F1.4 G
Review  |  Compatibility  |  Specs  |  Compare
Released: 2008
Normal Lens, no zoom (prime)
Aperture: f/1,4
Focal Length: 50 mm


Canon EF 85mm F1.8 USM Canon EF 85mm F1.8 USM
Review  |  Compatibility  |  Specs  |  Compare
Released: 1992
Telephoto Lens, no zoom (prime)
Aperture: f/1,8
Focal Length: 85 mm


Sony FE 35mm F1.4 ZA Distagon T Sony FE 35mm F1.4 ZA Distagon T
Review  |  Compatibility  |  Specs  |  Compare
Released: 2015
Wide Angle Lens, no zoom (prime)
Aperture: f/1,4
Focal Length: 35 mm


Nikon AF-S 24mm F1.4 G ED Nikon AF-S 24mm F1.4 G ED
Review  |  Compatibility  |  Specs  |  Compare
Released: 2010
Wide Angle Lens, no zoom (prime)
Aperture: f/1,4
Focal Length: 24 mm


Images of other professionals

Here are a few images of professionals that might inspire you. Perhaps these can give you ideas on how to best photograph your Category Acquisition Director? Click on the image you want to know more about. Each image has information with which camera and lens they were shot and with which settings.

Hotel Receptionist is answering the phone See camera and lens details
1/80s  48mm  f/2,8

Pastor is reading the Bible See camera and lens details
1/400s  238mm  f/6,3

Dough and flour on table See camera and lens details
1/50s  50mm  f/3,5

Airline Pilot is approaching New York in his simulator See camera and lens details
1/60s  26mm  f/3,5

Teaching in front of her class and students are raising their hands See camera and lens details
1/125s  70mm  f/3,2

Surgeon and Surgery Nurses working together See camera and lens details
1/100s  15mm  f/5,6

Portrait of a female CEO See camera and lens details
1/160s  105mm  f/9

Electrician in glasses is adjusting a wall outlet See camera and lens details
1/320s  17mm  f/3,5

An asian teacher is educating her students in the forest See camera and lens details
1/200s  150mm  f/4,5

Chef in his workspace - the restaurant kitchen See camera and lens details
1/20s  24mm  f/4

A dentist is examing a male patient See camera and lens details
1/60s  56mm  f/4,5

A female model and brunette with curly hair See camera and lens details
1/80s  85mm  f/5,6

Canon photographer with his Canon EF 400mm f/2,8 IS USM telephoto lens See camera and lens details
1/320s  135mm  f/5,6

A software developer is coding on his Macbook Pro See camera and lens details
1/50s  35mm  f/1,4

Female Fire Fighter with red nail polish See camera and lens details
1/2000s  52mm  f/5,6