How to photograph Human Resources Champion

This is the ultimate guide on how to photograph professionals and Human Resources Champion. As always, when taking pictures of people there are things to think about and below you will also find both camera and lens recommendations.

When trying to capture certain professionals you want the picture and the surroundings to say something, showing the audience that this is a Human Resources Champion and not something completely different. Perhaps the Human Resources Champion has an enviroment that you can clearly connect to their profession. A baker has his bakery, a pilot his cockpit and so on.

A professional portrait does not have to be a direct portrait, and if you are photographing the Human Resources Champion - just let him or her work as usual and you will try to capture them in their everyday life as Human Resources Champion? Of course, you can combine the editorial pictures with more portrait like pictures to get a complete coverage of the Human Resources Champion.

When taking editorial pictures it is really nice to have either a wide angle (such as 14-24 or 16-35mm) or a normal zoom lens (24-70mm etc). That will give you a lot of coverage in most situations and enviroments.

Moving on to the portraits it is really nice to use lenses with a maximum aperture value around f/1.2, f/1.4, f/1.8 or f/2. When using lenses like this you can really make the eyes or details to pop out and be sharp and crisp while the rest of the image can be a bit blurry. And this can both be normal prime lenses (as 35mm/f1.4, 50mm/f1.8 etc) as well as telephoto prime lenses (such as 85/f1.8, 105/f2.8 etc).

And remember, it is always worth getting a bit uncomfortable in order to get the best picture of the Human Resources Champion. Ask the Human Resources Champion if you can join them for a working day, no matter where and in what surroundings. Dare to get a bit dirty and your clients will definately appreciate the effort afterwards.

Best cameras for photographing Human Resources Champion

Perhaps you already have a camera but here are some popular camera alternatives that might be suitable for photographing professionals and Human Resources Champion.

	Canon EOS R50 Lenses | Compatibility | Specs | Compare Released: 2023 Type: Mirrorless Sensor: APS-C (1.6x)	Buy
	Canon EOS Kiss M2 Lenses | Compatibility | Specs | Compare Released: 2020 Type: Mirrorless Sensor: APS-C (1.6x)	Buy
	Canon EOS R3 Lenses | Compatibility | Specs | Compare Released: 2021 Type: Mirrorless Sensor: Full frame	Buy
	Nikon Z7 Lenses | Compatibility | Specs | Compare Released: 2018 Type: Mirrorless Sensor: Full frame	Buy
	Nikon Z fc Lenses | Compatibility | Specs | Compare Released: 2021 Type: Mirrorless Sensor: DX (1.5x)	Buy

Best lenses for photographing Human Resources Champion

Here are some popular lenses that might suit your needs when photographing professionals and Human Resources Champion. You can also view all of our lenses or start by selecting your camera and then see which lenses that are compatible.

	Nikon AF-S 24mm f/1,4 G ED Review  |  Compatibility  |  Specs  |  Price Released: 2010 Wide Angle Lens, no zoom (prime) Aperture: f/1,4 Focal Length: 24 mm	Buy
	Canon EF 50mm f/1,2 L USM Review  |  Compatibility  |  Specs  |  Price Released: 2007 Normal Lens, no zoom (prime) Aperture: f/1,2 Focal Length: 50 mm	Buy
	Nikon AF-S DX 35mm f/1,8 G Review  |  Compatibility  |  Specs  |  Price Released: 2009 Normal Lens, no zoom (prime) Aperture: f/1,8 Focal Length: 35 mm	Buy
	Canon EF 50mm f/1,4 USM Review  |  Compatibility  |  Specs  |  Price Released: 1993 Normal Lens, no zoom (prime) Aperture: f/1,4 Focal Length: 50 mm	Buy
	Nikon AF-S 58mm f/1,4 G Review  |  Compatibility  |  Specs  |  Price Released: 2013 Normal Lens, no zoom (prime) Aperture: f/1,4 Focal Length: 58 mm	Buy

Images of other professionals

Here are a few images of professionals that might inspire you. Perhaps these can give you ideas on how to best photograph your Human Resources Champion? Click on the image you want to know more about. Each image has information with which camera and lens they were shot and with which settings.