How to photograph Production Manager
This is the ultimate guide on how to photograph professionals and Production Manager. As always, when taking pictures of people there are things to think about and below you will also find both camera and lens recommendations.
When trying to capture certain professionals you want the picture and the surroundings to say something, showing the audience that this is a Production Manager and not something completely different. Perhaps the Production Manager has an enviroment that you can clearly connect to their profession. A baker has his bakery, a pilot his cockpit and so on.
A professional portrait does not have to be a direct portrait, and if you are photographing the Production Manager - just let him or her work as usual and you will try to capture them in their everyday life as Production Manager? Of course, you can combine the editorial pictures with more portrait like pictures to get a complete coverage of the Production Manager.
When taking editorial pictures it is really nice to have either a wide angle (such as 14-24 or 16-35mm) or a standard zoom lens (24-70mm etc). That will give you a lot of coverage in most situations and enviroments.
Moving on to the portraits it is really nice to use lenses with a maximum aperture value around f/1.2, f/1.4, f/1.8 or f/2. When using lenses like this you can really make the eyes or details to pop out and be sharp and crisp while the rest of the image can be a bit blurry. And this can both be standard prime lenses (as 35mm/f1.4, 50mm/f1.8 etc) as well as telephoto prime lenses (such as 85/f1.8, 105/f2.8 etc).
And remember, it is always worth getting a bit uncomfortable in order to get the best picture of the Production Manager. Ask the Production Manager if you can join them for a working day, no matter where and in what surroundings. Dare to get a bit dirty and your clients will definately appreciate the effort afterwards.
Best cameras for photographing Production Manager
Perhaps you already have a camera but here are some popular camera alternatives that might be suitable for photographing professionals and Production Manager.
Fujifilm GFX 50R
Lenses | Compatibility | Specs | Compare Released: 2018 Type: Mirrorless Sensor: Medium Format (0.79x) |
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Nikon D5
Lenses | Compatibility | Specs | Compare Released: 2016 Type: DSLR Sensor: Full frame |
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Fujifilm X-Pro3
Lenses | Compatibility | Specs | Compare Released: 2019 Type: Mirrorless Sensor: APS-C (1.5x) |
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Nikon D500
Lenses | Compatibility | Specs | Compare Released: 2016 Type: DSLR Sensor: DX (1.5x) |
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Canon EOS M6
Lenses | Compatibility | Specs | Compare Released: 2017 Type: Mirrorless Sensor: APS-C (1.6x) |
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Best lenses for photographing Production Manager
Here are some popular lenses that might suit your needs when photographing professionals and Production Manager. You can also view all of our lenses or start by selecting your camera and then see which lenses that are compatible.
Nikon AF-S 28mm F1.8 G
Review | Compatibility | Specs | Compare Released: 2012 Wide Angle Lens, no zoom (prime) Aperture: f/1,8 Focal Length: 28 mm |
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Nikon AF-S 58mm F1.4 G
Review | Compatibility | Specs | Compare Released: 2013 Normal Lens, no zoom (prime) Aperture: f/1,4 Focal Length: 58 mm |
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Sony FE 50mm F1.8
Review | Compatibility | Specs | Compare Released: 2016 Normal Lens, no zoom (prime) Aperture: f/1,8 Focal Length: 50 mm |
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Sony FE 24mm F1.4 GM
Review | Compatibility | Specs | Compare Released: 2018 Wide Angle Lens, no zoom (prime) Aperture: f/1,4 Focal Length: 24 mm |
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Canon RF 135mm F1.8 L IS USM
Review | Compatibility | Specs | Compare Released: 2022 Telephoto Lens, no zoom (prime) Aperture: f/1,8 Focal Length: 135 mm |
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Images of other professionals
Here are a few images of professionals that might inspire you. Perhaps these can give you ideas on how to best photograph your Production Manager? Click on the image you want to know more about. Each image has information with which camera and lens they were shot and with which settings.
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1/100s 15mm f/5,6
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1/160s 105mm f/9
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1/250s 24mm f/2,8
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1/250s 50mm f/7,1
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1/25s 17mm f/2,8
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1/1250s 85mm f/2,8
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1/160s 105mm f/9
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1/125s 70mm f/3,2
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1/25s 35mm f/1,4
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1/80s 48mm f/2,8
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1/400s 220mm f/11
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1/125s 50mm f/2,8
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1/200s 150mm f/4,5
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1/80s 35mm f/4
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1/320s 17mm f/3,5