How to photograph Production Test Supervisor

This is the ultimate guide on how to photograph professionals and Production Test Supervisor. As always, when taking pictures of people there are things to think about and below you will also find both camera and lens recommendations.

When trying to capture certain professionals you want the picture and the surroundings to say something, showing the audience that this is a Production Test Supervisor and not something completely different. Perhaps the Production Test Supervisor has an enviroment that you can clearly connect to their profession. A baker has his bakery, a pilot his cockpit and so on.

A professional portrait does not have to be a direct portrait, and if you are photographing the Production Test Supervisor - just let him or her work as usual and you will try to capture them in their everyday life as Production Test Supervisor? Of course, you can combine the editorial pictures with more portrait like pictures to get a complete coverage of the Production Test Supervisor.

When taking editorial pictures it is really nice to have either a wide angle (such as 14-24 or 16-35mm) or a standard zoom lens (24-70mm etc). That will give you a lot of coverage in most situations and enviroments.

Moving on to the portraits it is really nice to use lenses with a maximum aperture value around f/1.2, f/1.4, f/1.8 or f/2. When using lenses like this you can really make the eyes or details to pop out and be sharp and crisp while the rest of the image can be a bit blurry. And this can both be standard prime lenses (as 35mm/f1.4, 50mm/f1.8 etc) as well as telephoto prime lenses (such as 85/f1.8, 105/f2.8 etc).

And remember, it is always worth getting a bit uncomfortable in order to get the best picture of the Production Test Supervisor. Ask the Production Test Supervisor if you can join them for a working day, no matter where and in what surroundings. Dare to get a bit dirty and your clients will definately appreciate the effort afterwards.

Best cameras for photographing Production Test Supervisor

Perhaps you already have a camera but here are some popular camera alternatives that might be suitable for photographing professionals and Production Test Supervisor.

Canon EOS M5 Canon EOS M5
Lenses | Compatibility |  Specs | Compare
Released: 2016
Type: Mirrorless
Sensor: APS-C (1.6x)


Sony a7C II Sony a7C II
Lenses | Compatibility |  Specs | Compare
Released: 2023
Type: Mirrorless
Sensor: Full frame


Sony a6600 Sony a6600
Lenses | Compatibility |  Specs | Compare
Released: 2019
Type: Mirrorless
Sensor: APS-C (1.5x)


Canon EOS 200D Canon EOS 200D
Lenses | Compatibility |  Specs | Compare
Released: 2017
Type: DSLR
Sensor: APS-C (1.6x)


Fujifilm GFX 50R Fujifilm GFX 50R
Lenses | Compatibility |  Specs | Compare
Released: 2018
Type: Mirrorless
Sensor: Medium Format (0.79x)


Best lenses for photographing Production Test Supervisor

Here are some popular lenses that might suit your needs when photographing professionals and Production Test Supervisor. You can also view all of our lenses or start by selecting your camera and then see which lenses that are compatible.

Nikon Z DX 24mm F1.7 Nikon Z DX 24mm F1.7
Review  |  Compatibility  |  Specs  |  Compare
Released: 2023

Aperture: f/1,7
Focal Length: 24 mm


Sony FE 50mm F1.4 ZA Planar T Sony FE 50mm F1.4 ZA Planar T
Review  |  Compatibility  |  Specs  |  Compare
Released: 2016
Normal Lens, no zoom (prime)
Aperture: f/1,4
Focal Length: 50 mm


Canon EF 50mm F1.2 L USM Canon EF 50mm F1.2 L USM
Review  |  Compatibility  |  Specs  |  Compare
Released: 2007
Normal Lens, no zoom (prime)
Aperture: f/1,2
Focal Length: 50 mm


Sony FE 24mm F1.4 GM Sony FE 24mm F1.4 GM
Review  |  Compatibility  |  Specs  |  Compare
Released: 2018
Wide Angle Lens, no zoom (prime)
Aperture: f/1,4
Focal Length: 24 mm


Sony FE 50mm F1.8 Sony FE 50mm F1.8
Review  |  Compatibility  |  Specs  |  Compare
Released: 2016
Normal Lens, no zoom (prime)
Aperture: f/1,8
Focal Length: 50 mm


Images of other professionals

Here are a few images of professionals that might inspire you. Perhaps these can give you ideas on how to best photograph your Production Test Supervisor? Click on the image you want to know more about. Each image has information with which camera and lens they were shot and with which settings.

Dough and flour on table See camera and lens details
1/50s  50mm  f/3,5

A trader at a desk with three monitors and a laptop See camera and lens details
1/80s  35mm  f/4

Pastor is reading the Bible See camera and lens details
1/400s  238mm  f/6,3

Airline Pilot is approaching New York in his simulator See camera and lens details
1/60s  26mm  f/3,5

An asian teacher is educating her students in the forest See camera and lens details
1/200s  150mm  f/4,5

Computer Specialist is inserting a new graphic card into his computer See camera and lens details
1/100s  50mm  f/4,5

Sound producer at his mixing table See camera and lens details
1/25s  17mm  f/2,8

Teaching in front of her class and students are raising their hands See camera and lens details
1/125s  70mm  f/3,2

Painter is painting outside a store See camera and lens details
1/250s  50mm  f/7,1

Carpenter is using a grinder to cut some metal See camera and lens details
1/100s  20mm  f/5,6

Portrait of a female CEO See camera and lens details
1/160s  105mm  f/9

DJ with a tattoo on his forearm at his Pioneer mixer table See camera and lens details
1/25s  35mm  f/1,4

Hotel Receptionist is answering the phone See camera and lens details
1/80s  48mm  f/2,8

Tattoo Artist is working in his studio See camera and lens details
1/125s  50mm  f/2,8

Architects are reviewing their project See camera and lens details
1/250s  24mm  f/2,8