How to photograph Staffing Supervisor

This is the ultimate guide on how to photograph professionals and Staffing Supervisor. As always, when taking pictures of people there are things to think about and below you will also find both camera and lens recommendations.

When trying to capture certain professionals you want the picture and the surroundings to say something, showing the audience that this is a Staffing Supervisor and not something completely different. Perhaps the Staffing Supervisor has an enviroment that you can clearly connect to their profession. A baker has his bakery, a pilot his cockpit and so on.

A professional portrait does not have to be a direct portrait, and if you are photographing the Staffing Supervisor - just let him or her work as usual and you will try to capture them in their everyday life as Staffing Supervisor? Of course, you can combine the editorial pictures with more portrait like pictures to get a complete coverage of the Staffing Supervisor.

When taking editorial pictures it is really nice to have either a wide angle (such as 14-24 or 16-35mm) or a normal zoom lens (24-70mm etc). That will give you a lot of coverage in most situations and enviroments.

Moving on to the portraits it is really nice to use lenses with a maximum aperture value around f/1.2, f/1.4, f/1.8 or f/2. When using lenses like this you can really make the eyes or details to pop out and be sharp and crisp while the rest of the image can be a bit blurry. And this can both be normal prime lenses (as 35mm/f1.4, 50mm/f1.8 etc) as well as telephoto prime lenses (such as 85/f1.8, 105/f2.8 etc).

And remember, it is always worth getting a bit uncomfortable in order to get the best picture of the Staffing Supervisor. Ask the Staffing Supervisor if you can join them for a working day, no matter where and in what surroundings. Dare to get a bit dirty and your clients will definately appreciate the effort afterwards.

Best cameras for photographing Staffing Supervisor

Perhaps you already have a camera but here are some popular camera alternatives that might be suitable for photographing professionals and Staffing Supervisor.

Canon EOS Kiss X9i Canon EOS Kiss X9i
Released: 2017
Type: DSLR
Sensor: APS-C (1.6x)
Nikon Z7 Nikon Z7
Released: 2018
Type: Mirrorless
Sensor: Full frame
Nikon Z5 Nikon Z5
Released: 2020
Type: Mirrorless
Sensor: Full frame
Canon EOS Rebel T7 Canon EOS Rebel T7
Released: 2018
Type: DSLR
Sensor: APS-C (1.6x)
Nikon Z6 Nikon Z6
Released: 2018
Type: Mirrorless
Sensor: Full frame

Best lenses for photographing Staffing Supervisor

Here are some popular lenses that might suit your needs when photographing professionals and Staffing Supervisor. You can also view all of our lenses or start by selecting your camera and then see which lenses that are compatible.

Nikon AF-S 35mm f/1,8 G ED Nikon AF-S 35mm f/1,8 G ED
Released: 2014
Wide Angle Lens, no zoom (prime)
Aperture: f/1,8
Focal Length: 35 mm
Nikon AF-S 24mm f/1,4 G ED Nikon AF-S 24mm f/1,4 G ED
Released: 2010
Wide Angle Lens, no zoom (prime)
Aperture: f/1,4
Focal Length: 24 mm
Nikon AF-S 105mm f/1,4 E ED Nikon AF-S 105mm f/1,4 E ED
Released: 2016
Telephoto Lens, no zoom (prime)
Aperture: f/1,4
Focal Length: 105 mm
Canon EF 85mm f/1,2 L II USM Canon EF 85mm f/1,2 L II USM
Released: 2006
Telephoto Lens, no zoom (prime)
Aperture: f/1,2
Focal Length: 85 mm
Nikon AF-S 85mm f/1,8 G Nikon AF-S 85mm f/1,8 G
Released: 2012
Telephoto Lens, no zoom (prime)
Aperture: f/1,8
Focal Length: 85 mm

Images of other professionals

Here are a few images of professionals that might inspire you. Perhaps these can give you ideas on how to best photograph your Staffing Supervisor? Click on the image you want to know more about. Each image has information with which camera and lens they were shot and with which settings.

Architects are reviewing their project See camera and lens details
1/250s  24mm  f/2,8

An asian teacher is educating her students in the forest See camera and lens details
1/200s  150mm  f/4,5

Computer specialist at his repair studio See camera and lens details
1/160s  105mm  f/9

Sound producer at his mixing table See camera and lens details
1/25s  17mm  f/2,8

A dentist is examing a male patient See camera and lens details
1/60s  56mm  f/4,5

Female Fire Fighter with red nail polish See camera and lens details
1/2000s  52mm  f/5,6

DJ with a tattoo on his forearm at his Pioneer mixer table See camera and lens details
1/25s  35mm  f/1,4

A software developer is coding on his Macbook Pro See camera and lens details
1/50s  35mm  f/1,4

Hotel Receptionist is answering the phone See camera and lens details
1/80s  48mm  f/2,8

Electrician in glasses is adjusting a wall outlet See camera and lens details
1/320s  17mm  f/3,5

Carpenter is using a grinder to cut some metal See camera and lens details
1/100s  20mm  f/5,6

A fisherman is heading out in the morning and laying out his nets See camera and lens details
1/400s  220mm  f/11

Surgeon and Surgery Nurses working together See camera and lens details
1/100s  15mm  f/5,6

Computer Specialist is inserting a new graphic card into his computer See camera and lens details
1/100s  50mm  f/4,5

Airline Pilot is approaching New York in his simulator See camera and lens details
1/60s  26mm  f/3,5